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Lobgesang MWV A 18 op. 52 [合唱楽譜] Offertory for the Easter Sunday or the optional use of

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Description

or the optional use of wind instruments doubling the strings

Formerly attributed to Heinrich Bach

which until now had been thought to be missing

In addition to the score

Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings)

Lobgesang MWV A 18 op. 52 [合唱楽譜] Offertory for the Easter Sunday or the optional use of

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