Missa in illo tempore [critical commentary] Paul Horn corresponding to the purpose of

corresponding to the purpose of the particular performance) and basso continuo

Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers

Siegbert Rampe has chosen valuable and technically not too demanding pieces

Lobe den Herren

Our separate publication of the piece solves this problem masterfully

Missa in illo tempore [critical commentary] Paul Horn corresponding to the purpose ofMonteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using both means of expression. Whereas the Vespers contained, for their time, the most modern