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recording the scene without the polish of later retrospection
Grossman's concert frame is a departure from his close studio portraits
Portrait of Lydia Lunch photographed in 1978
when the downtown punk scene was reshaping the global mainstream
preserving the street environment around the downtown music scene
Miles Davis, New York City, 1988 Stiv Bators recording the scene without theLimited Edition Archival Pigment Print. Signed on the front by the artist.
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