Shadow Boxer (C.1) Debra Ramsay These fields start at a

These fields start at a minimum size of 5 mm and incrementally increase by 1 mm

the colors were collected from an apple hanging in the sun

lines and light

She originates her compositions on the computer

Moschini’s work depends on process: unprimed

Shadow Boxer (C.1) Debra Ramsay These fields start at aThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between