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The work has been recently conserved
The composition derives from a type established by Quentin Metsys (see particularly his 'Crucifixion' in the National Gallery of Canada
Formerly attributed to a variety of painters including Agostino Carracci
Onofri was a pupil in Rome of Gaspard Dughet
The broad characterisation and handling of the figures seems to contrast with the delicacy of the landscape detail which has led to suggestions that Andries might be responsible for them
Pietà Period The work has been recentlyThe composition seems to be based partly on Annibale's etching of the Christ of Caprarola, partly on his Capodimonte "Piet".
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