Gate of the Caravansarai at Rajmahal Frame:Black Hardwood Box Frame Coming back to the present

Coming back to the present work reflects Akbar’s desire to bypass Jehangir and pass the crown on to his grandson

Aurangzeb left Northern India for the Deccan in 1681

With the Maratha threat looming under the aegis of Chattrapati Shivaji Maharaj

and putti (cherubs or angels) into his work

the Mughal ateliers were disbanded by him and most artists around Delhi migrated to Avadh or Rajputana or Bengal to seek a livelihood

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