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John Surratt
illustrating how subverting formal photographic "rules" can capture a deeper
minimalist compositions of landscapes
in confinement
Heavily inspired by his close friendship with painter Max Weber and the principles of modernist design
Aperture 106. Spring 1987. Technology and Transformation. Annuals John SurrattFeaturing Lewis Baltz: San Quentin Point; Catherine Wagner: The Louisiana World Exposition; Lynne Cohen: Room Readings; The Reality Museum of Daniel Faust; Reagan Louie: One Journey to China; David T. Hanson: Power Source; the View from Colstrip Montana; Robert Cumming: Threads of Nature, The MIT Photography Project; Kira Perov: Patterns of Light; People and Ideas: Television's Impact on Contemporary Art by Marc H. Miller; New Faces: The Composites of
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