Germaine Greer argues that until the nineteenth century the image of the female body was not drawn from life but constructed on aesthetic principles
showcase the photographer’s remarkable talent
Vever’s La Bijouterie Française au XIXem Siècle was first published in France between 1906–08: it has been the bible of all jewelry experts
Gathering some of Alex Webbs most iconic images The Suffering of Light brings a fresh perspective to his extensive catalogue
This new edition provides for the first time a view of some of the masterpieces of Ajanta painstakingly digitally restored by Behl
Anouska Hempel author-joan-stanley-baker Germaine Greer argues that untilThe savant of the visual, Anouska Hempel is revered across the world for her originality and for her influence. This is a designer who sees everything, and instinctively understands it. It might be a Japanese screen, or a Tudor portrait, an object, a fabric, a colour or a decorative technique. She may come to it innocently, but she will see exactly what it does, and how it does it. Yet thats just where she starts. Take an inspiration; treat it with