B/V Jessica Snow The image making that comes

The image making that comes from this strategic foundation will be clear

25 of an inch

Bolt tries to create a dynamic tension between foreground and background

And it is that challenge that fulfills the experience one has with the painting

Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing the painted surface

B/V Jessica Snow The image making that comesGuillaume Moschini is a French abstract artist mentored by the internationally recognized Supports Surfaces artists Claude Viallat, Patrick Saytour, and Vincent Bioules. Much like Helen Frankenthaler, Moschinis work depends on process: unprimed, raw canvas, a diluted pigment (mixed inks, acrylics, and paint thinners), and the unconscious phenomenon that occurs through the process of art making.