Cut-Up Paper 2005 Guillaume Moschini forms and textures hauntingly allude

forms and textures hauntingly allude to the world of nature and recognizable things

The tension of overlapping foreground shapes and the contrary background treatment is accentuated by the high-key yellow color that pushes the composition forward toward the viewer

While working on this project the artist is reminded of Josef Albers' statement: "There is a profound harmony in the immeasurable spectrum of color

A major theme in his oeuvre is the passage of time

something beyond

Cut-Up Paper 2005 Guillaume Moschini forms and textures hauntingly alludePedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.